From the Great Northern Plains, Little Miss Higgins struts and serenades her way onto any stage playing music brewed in early country blues, jazz and folk. Higgins has been playing, touring, collaborating and recording for over 20 years. Her 7 independently released albums and artwork have received many awards and nominations.

Her most recent collaboration called One For Sorrow, Two For Joy, is a music driven puppet play. Performed with co-creators Juanita Dawn and Jocelyn Mah, Higgins is thrilled to bring her love of theatre and music together to tell this heartwarming tale of a woman living alone on the prairies in the early 1900’s.

Little Miss Higgins (aka Jolene Higgins) was born in Brooks, Alberta, and raised in Independence, Kansas.  Music entered her life early.  “When I was about four my dad brought home an old mini-grand piano and told me it was mine.  I carved my name in the side of it and then I had to start taking piano lessons.”

Higgins now uses guitar and voice as her main instruments as well as her theatre background to bring a refreshing sound and story to the stage. Higgins settled in Saskatchewan from 2002-2013 and that’s when music took the driver’s seat.  Over that time she built her career touring across Canada performing in clubs, theatres and festivals.
 
As a songwriter and musician, Higgins has been influenced by a range of artists from Memphis Minnie and Billie Holiday to Joni Mitchell and Dolly Parton as well as the vast array of Canadian and International musicians she has had the fortune to share the stage with including kd lang, Corb Lund, Buddy Guy, Maria Muldaur, Big Dave McLean, The Good Lovelies, The Sadies, Steve Mariner, to name a few.

Her first two studio albums Cobbler Shop Sessions (2005) and Junction City (2007) superbly showcase Little Miss Higgins as a highly-developed songwriter as well as a remarkable country blues performer in a style gracefully highlighted by her partner at the time and guitarist Foy Taylor and occasionally a handful of other Canadian Roots musicians.

The release of Junction City resulted in a handful of honours for Little Miss Higgins including JUNO and Maple Blues Awards nominations and won as Outstanding Blues Recording at Western Canadian Music Awards and Favourite Blues Artist/Group or Duo of the Year category of the 8th Annual Indies Awards.

To her fan’s delight, there was the 2009 release Little Miss Higgins Live: Two Nights In March (2009). The album was recorded at Amigo’s Cantina in Saskatoon, and Engineered Air Theatre in Calgary. The album features such favourite performance fare as “The Dirty Ol Tractor Song,” “Velvet Barley Bed,” “In The Middle Of Nowhere” and “I’m Gonna Bake My Biscuits.” as well as a couple of previously unreleased songs including “Snowin’ Today: A Lament For Louis Riel.” which was then recorded in studio for her fourth collection of songs, Across The Plains (2011). 

In 2013, Little Miss Higgins teamed up with a very talented quintet of musicians from Manitoba. She calls them the Winnipeg Five—Jimmie James McKee on trumpet, Eric Lemoine on banjo and pedal steel, Blake Thomson on guitar, Patrick Alexandre Leclerc on upright bass, Evan Friesen on drums and all five of them sing harmonies. Also known as the F-Holes, they play music in a similar vein as Higgins, and it was a fitting alliance both onstage and in the studio...well, not quite a typical recording studio. With new songs waiting on the sidelines, the six of them decided to record in a barn, a barn on a bison ranch in rural Manitoba.  Bison Ranch Recording Sessions (2013) received many accolades and lots of radio play.

Her sixth collection of songs, MY HOME, MY HEART (2017) was recorded at The Song Shop in Winnipeg, Manitoba. This album’s sound remains true to Higgins’ roots, but ventures into new songwriting territory.  Co-produced with Scott Nolan and engineered by Jamie Sitar of Outta Town Sound, this album is an effortless addition to her impressive body of work. 

Higgins has appeared live on many CBC radio shows such as Stuart McLean’s Vinyl Café, Michael Enright’s Sunday Edition and Rich Terfry’s Drive.  Her talents have also been put to use in the creation of a dust-bowl folk opera in collaboration with the Old Trout Puppet Workshop of Calgary, Alberta.  Sharing her abilities with others, young and old, is another passion; she has taught songwriting at many schools and workshops including the Hornby Island Blues Workshop and Play & Record at the West End Cultural Centre in Winnipeg MB.
 
Higgins now makes her home in rural Manitoba with her partner and son.  Though motherhood takes up most of her time these days, she continues to perform, write, paint, garden, cook and cultivate her creative spirit.